Is Los Angeles essential to the art world at large? L.A. the Blog can’t answer that question but the scale of art happening in this city on a daily basis makes art essential to understanding Los Angeles. A city dreamed up from behind a camera with an identity inextricably enmeshed with visual arts making it a tide pool of artists birthing pictures, stories, scenes, music, canvases, books, tunes, compositions, scripts, reality and fantasy; where often as not the creativity becomes harnessed in an art department for film, a stage setting for theater, or a gallery full of stunning visual art.
Better late than never the pictures have arrived! Arrived for what (as the statement goes?), arrived for another round of art happening in the city of Angeles.
A three-person gallery show opened a few weeks back that spotlighted a diverse young group composed of a street artist, a tattoo wizard and a graphic artist who stepped into roles respectively as a painter, a caricaturist and a furniture sculptor. At this point some analogy to the Wizard Of Oz keeps trying to escape but that would make this writer either Dorothy or Toto, and the only yellow brick road somewhere hidden along Santa Monica Boulevard between Doheny Drive and La Cienega Boulevard.
The highlight of the show Annie Preece displayed her most recent paintings done in vivid, bright colors of contorted faces, haunted imagery and taboo subjects. Her art is best described in the statement ‘having too much fun,’ with a mixture of recognizable and iconic images and symbols re-purposed with confrontation, dripping paint and intensity. Yet as stated all of them rebalanced with the light atmosphere that reds, yellows and bright blues elicit emotionally. Almost like the perpetual Los Angeles sunshine even makes suffering look happy. The one painting in the show that is the exception to the bright colors comes from an early series of Annie’s work to a project of paintings, photographs and public art installations entitled ‘Persecution Takes A Holiday In L.A‘, that takes a critical look at the oppression of women in the Middle East. This exception to the rule simply puts eyes staring from a black surrounding. By the way Annie do you have any free artwork for us to decorate our headquarters?
Tattoo artist and painter Candice Molayem showcased a series of portraits keeping with the bright-color motif in classic caricature style. With 1950’s hair-dos, thick rimmed glasses and jewelry-to-match the words ‘hip and cool’ rise from the dark recess of the subconscious and immediately yearnings for indie rock take over. L.A. the Blog is curious if any persons posed for the paintings or if the inspiration came from classic comic books.
The final artist presenting at the show Jad Dovey subtly created lamps in a style you might expect to find at The Factory during the 1970’s and 80’s. A wonderful use of color and the nude form, or maybe just ‘found’ mannequins and some electrical ingenuity Dovey created a post-pop art presentation that seemed so natural in the gallery they belonged more to the entire space and less to the name tag that marked them for display.
A fun event basking in the glow of a hot summer ahead, and art definitely worth visiting. Please see a slideshow below of pictures from the show. Included in the photos are other artists’ work showing and hanging in the gallery including artists Rebecca Molayem, Lynden St Victor and sculptures by Leon Leigh. ‘bright lights and fist fights’ is now showing at Rebecca Molayem Gallery, 306 N. Robertson Blvd., West Hollywood, CA 90048 for another few weeks, please check online for the current and future shows.
Moving right along into the week and arriving at our next stop where well-established artist and instigator Coop partied and celebrated in high fashion for the release of his new artbook entitled, ‘Idle Hands: The Art of Coop.’ So much has been said of Coop (click this link here), so to avoid mundane repetition, and pointless conjecture it is enough to say that even if you haven’t heard his name before you definitely have seen his art. His images of devils, dames, drugs and cars make pop culture an afterthought and fine art an everyday accessible experience. Mickey mouse gloves on a drug anyone? If you can’t relate I am sure Walt Disney and Salvador Dali hanging out making pink elephants would.
Coop’s show took place at a great location in downtown Los Angeles hidden away in a produce distribution factory/building. Industrial-scale loading elevator and all with a great view of a seedy downtown strip club made the entire experience some strange descent into Coop’s world. Did we mention naked devil girls cruised the party? Included in the slideshow below please find pictures from the event held at Studio Servitu, a downtown venue that the L.A. Weekly names the #4 essential location of 2011.
To answer your question , the inspiration for the paintings did not come from models or comic books , just me and my head.