L.A. the Blog: ‘bright lights & fist fights’ Gallery Show; Next Stop ‘The Art of Coop’

Annie Preece

Annie Preece frames her own painting during the exhibition opening of ‘bright lights & fist fights’ group show at the Rebecca Molayem Gallery in West Hollywood – June 14, 2012

Is Los Angeles essential to the art world at large?  L.A. the Blog can’t answer that question but the scale of art happening in this city on a daily basis makes art essential to understanding Los Angeles.  A city dreamed up from behind a camera with an identity inextricably enmeshed with visual arts making it a tide pool of artists birthing pictures, stories, scenes, music, canvases, books, tunes, compositions, scripts, reality and fantasy; where often as not the creativity becomes harnessed in an art department for film, a stage setting for theater, or a gallery full of stunning visual art.

Better late than never the pictures have arrived!  Arrived for what (as the statement goes?), arrived for another round of art happening in the city of Angeles.

A three-person gallery show opened a few weeks back that spotlighted a diverse young group composed of a street artist, a tattoo wizard and a graphic artist who stepped into roles respectively as a painter, a caricaturist and a furniture sculptor.  At this point some analogy to the Wizard Of Oz keeps trying to escape but that would make this writer either Dorothy or Toto, and the only yellow brick road somewhere hidden along Santa Monica Boulevard between Doheny Drive and La Cienega Boulevard.

The highlight of the show Annie Preece displayed her most recent paintings done in vivid, bright colors of contorted faces, haunted imagery and taboo subjects.  Her art is best described in the statement ‘having too much fun,’ with a mixture of recognizable and iconic images and symbols re-purposed with confrontation, dripping paint and intensity.  Yet as stated all of them rebalanced with the light atmosphere that reds, yellows and bright blues elicit emotionally.  Almost like the perpetual Los Angeles sunshine even makes suffering look happy.  The one painting in the show that is the exception to the bright colors comes from an early series of Annie’s work to a project of paintings, photographs and public art installations entitled ‘Persecution Takes A Holiday In L.A‘, that takes a critical look at the oppression of women in the Middle East.  This exception to the rule simply puts eyes staring from a black surrounding.  By the way Annie do you have any free artwork for us to decorate our headquarters?

Candice Molayem

A series of portrait caricatures by Candice Molayem from the show ‘bright lights and fist fights’ – June 14, 2012

Tattoo artist and painter Candice Molayem showcased a series of portraits keeping with the bright-color motif in classic caricature style.  With 1950’s hair-dos, thick rimmed glasses and jewelry-to-match the words ‘hip and cool’ rise from the dark recess of the subconscious and immediately yearnings for indie rock take over.  L.A. the Blog is curious if any persons posed for the paintings or if the inspiration came from classic comic books.

Jad Dovey

A naked lamp by artist Jad Dovey from the ‘bright lights and fist fights’ show – July 14, 2012

The final artist presenting at the show Jad Dovey subtly created lamps in a style you might expect to find at The Factory during the 1970’s and 80’s.  A wonderful use of color and the nude form, or maybe just ‘found’ mannequins and some electrical ingenuity Dovey created a post-pop art presentation that seemed so natural in the gallery they belonged more to the entire space and less to the name tag that marked them for display.

A fun event basking in the glow of a hot summer ahead, and art definitely worth visiting.  Please see a slideshow below of pictures from the show.  Included in the photos are other artists’ work showing and hanging in the gallery including artists Rebecca Molayem, Lynden St Victor and sculptures by Leon Leigh.  ‘bright lights and fist fights’ is now showing at Rebecca Molayem Gallery, 306 N. Robertson Blvd., West Hollywood, CA 90048 for another few weeks, please check online for the current and future shows.

Portion of a painting done by Coop showing at his book release party – June 16, 2012

Moving right along into the week and arriving at our next stop where well-established artist and instigator Coop partied and celebrated in high fashion for the release of his new artbook entitled, ‘Idle Hands: The Art of Coop.’  So much has been said of Coop (click this link here), so to avoid mundane repetition, and pointless conjecture it is enough to say that even if you haven’t heard his name before you definitely have seen his art.  His images of devils, dames, drugs and cars make pop culture an afterthought and fine art an everyday accessible experience.  Mickey mouse gloves on a drug anyone?  If you can’t relate I am sure Walt Disney and Salvador Dali hanging out making pink elephants would.

Coop’s show took place at a great location in downtown Los Angeles hidden away in a produce distribution factory/building.  Industrial-scale loading elevator and all with a great view of a seedy downtown strip club made the entire experience some strange descent into Coop’s world.  Did we mention naked devil girls cruised the party?  Included in the slideshow below please find pictures from the event held at Studio Servitu, a downtown venue that the L.A. Weekly names the #4 essential location of 2011.

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L.A. the Blog: ‘Grimes’ At Make Music Pasadena 2012

Indie Rock Stage

Old Pasadena Indie Rock Stage as the Cults perform – Make Music Pasadena, Saturday, June 16, 2012

Last weekend L.A. the Blog visited Make Music Pasadena 2012 to listen to recording-artist Grimes perform live. Tipped off about the show well-worth seeing and scheduled for the 5 o’clock hour, we arrived via the Metro Gold Line from downtown at 4:30 p.m. right near the main stage as the Cults finished their set. As a free event, the city of Pasadena definitely knows how to throw a good party, and the main stage area with great sound and a stellar lineup made concerts look fun again. The Cults sounded amazing and left an ache inside for missing the majority of their show.

The point of heading into conservative Pasadena wasn’t the Cults, though, nor was the reason we came performing on the Indie Rock stage. At this point, describing how Make Music Pasadena works will help understand the sheer scale of the event. The main stage area drew a humongous crowd stretching two blocks down the middle of old town Pasadena’s main drag Colorado Boulevard. They closed off the street at the stage but not the whole downtown area for the event, as streets leading off in various directions remained open for traffic. This way business and life went on as the concert rocked. Five smaller stages setup in various directions from the main stage, ranging from a few blocks to 10 blocks away, allowed for more bands with a wider variety of genres. From a Jazz stage to straight Rock ‘n’ Roll with old-time Blues and Funk mixed in between the event offered a bit of everything for everybody. Six stages are just the tip of the iceberg as different bars, the local library, coffee shops, a book store, the playhouse and even a church opened their doors to different musicians. In total over 30 venues setup for live acts and the number of musicians can make the head spin. A little something for everyone – literally.

Grimes on stage

Grimes singing live on stage to adoring fans during her performance at Make Music Pasadena, June 16, 2012.

So heading over to the Eclectic Stage, aptly name with KCRW as a sponsor (the stage highlighted a DJ set by their own Jason Bentley who hosts their signature morning show Morning Becomes Eclectic), we arrived just as local-based Dengue Fever finished up and Grimes setup for her show. Eclectic indeed as Dengue Fever plays tunes best understood as music suited for the old, silent film ‘Lost World” (literally); and Grimes represents the heart and soul (or call it rhythm and blues if you like) of electronic music with driving deep bass and ethereal vocals that easily capture the mind as well as emotion. Originally from the underground Montreal music scene dating back to 2006 Claire Boucher (aka – Grimes) recently moved to the L.A. area, that is if the Blog heard her announcement correctly, bringing with her a style of music both intense and alive in a synthesis of pop, punk and rave culture. A well-needed infusion of fresh talent to shake up the music scene in sunny Southern California.

Not to mention that young boys and girls love her – really, never have so many teenage boys and early-20’s men screamed for attention at a beautiful lady with pink hair. This writer understands for no one is a bigger sucker for a girl with pink hair, or blue, or red, or purple for that matter. Highlights of the show include the crowd surfers who kept popping up and the young dancing fan who jumped on the stage, well, dancing. As security removed the fan, Grimes between verses told security to let him stay to no avail. Even as they roughed him up she voiced her support.

The only hitch of the entire show came from the horrible sound system provided for the stage. The lows and highs played alright through the speakers but all the mid-level tones arrived muddied and weak. Even so the show definitely left an impression, and if it is an example of things to come, Grimes promises to deliver many more memorable events. Check out video we shot on our trusty cell phone, and since its a crap video we are placing a link below to an official music video of the same song.

L.A. the Blog: ‘Skaters Rule’ Artshow Echo Park

A variety of images adorn the wall paying tribute to skateboarding in the Bureau of Arts and Culture gallery in Echo Park mixing memorabilia with original art in a presentation simply thought of as ‘Skaters Rule.’

Southern California (all California even) spews and spawns skateboard and surf culture as if the constant sunshine keeps society from coagulating boys and girls into traditional sports like a hereditary hemophilia disorder. With skateboard culture comes the unique artwork that splashes T-shirts, adorns the bottom of skate decks, and fills the pages of magazines. Inspired and pulling from this plethora of creativity throughout the decades, local artists in Echo Park put together a gallery show of personalized skates, iconic collages and classic memorabilia.

The majority of the show consists of a variety of art styles hand painted or printed on the bottom of skateboard decks, from classic movies star images to the 70s-esque retro design of clean colorful lines against a background colorfield. This ‘bottom-deck’ (not to be mistaken for ‘low-brow’) creativity extended into an ambitious 3-D installation of a deck spinning from a chord attached to the roof, painted with a glossy enamel in glowing black-light colors (ultraviolet light included), showing the famous Natas SMA pentagram repeated from top-to-bottom, and includes 3-D glasses for added audience participation.

In another area of the gallery the back wall is dedicated strictly to skateboard history. From an old helmet to a great collection of vintage magazines and letters the viewer takes a trip down memory lane while paying homage to the legends who innovated the sport.

Last a small but favorite part of the gallery show includes traditional canvas and collage paintings that juxtaposes the art of skating with recognizable images that normally don’t mix. A Pac-Man ghost jumping on a deck, or an African native rolling through the Sahara on a board? Both these particular pieces of art you easily imagine on a modern skateboard, and might see someday in the future.

The Bureau of Art and Culture, located at 1282 W Sunset Blvd, Echo Park, CA 90026, presents ‘Skaters Rule’ through the month of June every Friday, Saturday and Sunday, from noon to 5 p.m. Below find a slideshow of various pictures of the opening:

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